Saturday, October 24, 2015

The Top 10 Best Linkin Park Songs


Hey! This countdown is Part 2 of a 2-part special, so if you haven't read part 1 yet, here ya go. 
And now, on with the Top 10!

10

I've stated this before, but A Thousand Suns is a very dark, at times even bleak record. The sadness and regret of that album's more emotional moments an be really touching, if not heartbreaking.

But sometimes, in even the darkest of places, just that faint glimmer of hope, that faint moment of clarity can lift you up and inspire you to keep moving forward.

#10. "Iridescent"
from A Thousand Suns
This is one of the greatest ballads of all time. Not exaggerating.

This song is purely and utterly breathtaking. Mike's breathtaking vocal performance, the grand, uplifting chorus, the spacey, almost ethereal production... it all just weaves together brilliantly into a massive spectacle of music. I could go on for hours talking about how beautiful every second of this song is. 

Iridescent is a song of hope. About persevering and moving forward, even in the most hopeless of times. Sometimes, even just a glimmer of hope can get you through the darkest of times. That is Iridescent represents to me.

9

Some songs are so beautiful and amazing that you could go on for hours about them.

Others are so beautiful and amazing, you can barely find the words to describe them.

#9. "Shadow Of The Day"
from Minutes To Midnight
Shadow Of The Day is one of the most beautiful songs I've ever heard. It's just so flawlessly crafted that I'm at a loss for words. I mean, I could list off things like Chester's vocals, the amazing electronic production, that guitar solo... all of them are amazing, but really, I don't think my words can fo it justice. You just have to hear it for yourself. It's really something special.

8

When I said Linkin Park knew how to end an album, I meant it.

#8. "The Little Things Give You Away"
from Minutes To Midnight
Linkin Park closed out their most diverse album with one of their most powerful songs.

In a lot of ways, The Little Things Give You Away feels like a spiritual predecessor to A Thousand Suns, with its bleak nature and heavily political undertones.

This song shows Linkin Park at their most musically proficient, as the music is really what makes this song. The slow strum of the acoustic guitars and the slow buildup of the production in the first half give way one of the most powerfully haunting songs of the band's history, the pained screaming and repetitions of "all you ever wanted was someone to truly look up to you" create such an intense mood and is one of the biggest emotional moments the band has pulled off. It's absolutely heart-wrenching just hearing the absolute pain and hopelessness of the song. It's a sad one, but well worth the listen.

7

Huh, the last 3 have all been slow songs. Let's change that, shall we?

#7. "The Catalyst"
from A Thousand Suns

Ooh yes, this song is awesome.

This song serves as the climax to A Thousand Suns, and what a hell of a climax it is. It's the most intense and powerful song on the album. This is more than a song, this is a battle cry. This is the soundtrack to an epic final battle for freedom.

The best part of this song is the chant. My god, that chant.

God bless us every one
We're a broken people living under loaded gun
And it can't be outfought, It can't be outdone
It can't be outmatched, it can't be outrun

God save us every one
Will we burn inside the fires of a thousand suns
For the sins of our hand, sins of our tongue
Sins of our father, sins of our young

Just look at that. That is great fucking songwriting.

The real emotional heft of the song comes in the bridge. That "lift me up, let me go" is fucking powerful, the best part of the song.

A Thousand Suns is my favorite album of all time, and The Catalyst is my favorite song on that album. It sums up all the themes of the album perfectly, and is the perfect climax to a perfect album.

6

I've never seen the Michael Bay Transformers movies. I hear they're the worst thing in the world, but they don't look all that bad. Maybe I'll check them out one day out of morbid curiosity.

I mean, how bad can a movie franchise be when it gives us a song as amazing as this?

#6. "New Divide"
from Transformers: Revenge Of The Fallen soundtrack

New Divide is pure, concentrated musical adrenaline. It sounds utterly massive and sweeping and urgent, the perfect epic song. Seriously, that instrumental breakdown in the middle... chills, man. Chills.

Remember like 10 seconds ago I said The Catalyst sounds like the soundtrack to an epic final battle? Yeah, multiply that by twenty. New Divide is the perfect pick to soundtrack a movie about an intergalactic war with robots and lasers and destiny and stuff.

Yeah, it's a soundtrack song to a cheesy movie, but it's a damn good soundtrack song to a cheesy movie.

5

OK, now's when we get into the really good stuff. The next five songs on this list rank up there with my favorite songs of all time. Not kidding.

To start off, we have one of the best songs of the past 5 years. Not kidding.

#5. "A Line In The Sand"
from The Hunting Party

A Line In The Sand is my favorite song of 2014 and yet another example of Linkin Park closing out an album in spectacular fashion.

The song starts off with a very tense, atmospheric electronic build while Mike delivers and incredibly haunting little sung poem, and I may add that this song is his best performance to date, before the guitars and drums kick in and the song explodes into a ferocious wave of anger and just hits you like a ton of bricks and it is glorious. 

I've stated before that The Hunting Party is Linkin Park's heaviest album, and A Line In The Sand is the perfect example of that. It's every single member of the band at their best, pulling together a truly jaw-dropping song.

4

Remixes are a tricky art, especially remixes of things that were already great to begin with.

Reanimation is one of those rare occasion where the remixes not only lived up to the original, but even improved on them.

In fact, I would argue Reanimation is much better than Hybrid Theory and is one of the band's absolute best album.

You might think, "but Michael, it's a remix album, why would you consider it one of their best if you don't do so with the original?"

This is why.

#4. "1stp Klosr" feat. Jonathan Davis
from Reanimation

This is the prime example of a remix that surpasses the original in every way.

Don't get me wrong, I like the original One Step Closer a lot, but it pales in comparison next to this incredible remix.

This is a song that is mostly buildup. Most of the song is spent building up and atmosphere, creating tension, immersing you in the dark, heavy intensity of the song, as the electronic effects, churning guitars, and Johnathan Davis's haunting guest verse just create this massive wall of sound, building the anger and the intensity before the ending where it all just explodes.

The last minute and a half of this song is one of my favorite musical moment of all time. It's so intense and thunderous and powerful that it just overtakes you. It's every bit and angry and hard-hitting as the original was taken to the highest level possible.

That is what remixes are capable of, and that is what this remix does and does expertly.

It's simply massive.

3

Yeah... this band really knows how to hit the emotions.

#3. "Breaking The Habit"
from Meteora

Breaking The Habit easily the most raw and personal song Linkin Park has put out, as well as the darkest.

It speaks on the struggles of addiction and self-harm (both of which are shown in the incredible music video) even to the point of depression, and... it just captures it. The pain, the struggle, the wish to get out even if you can't...  and that perfect display of emotion comes from Chester himself. 

This song is a very close track to him personally (he's stated it's his favorite song that band's every recorded), and his performance on the track shows it. It's raw, pained, screaming... it's very striking and makes the song truly powerful. It's one of the two LP songs that has ever actively made me cry.

Believe me, it's fucking powerful.

2

This is the big one.

This is the song that first got me into music. As a young teen, I knew very little about music outside the pop charts, and I didn't have very developed tastes or eye for quality.

It's safe to say if it wasn't for this song, I wouldn't have ever come to appreciate just what a beautiful medium music is. Just how much it can do, what it can do.

Yes, this song, upon first listen so thoroughly blew me away that much. If it wasn't for this song, I don't know how different my life would be.

It was just that incredible.

#2. "Numb"
from Meteora

Even ignoring my very close personal connection to it, I can say that Numb is still an incredible song.

It's one of the most real and striking displays of true anger and feelings of being utterly trapped that I've ever heard. It's production is outstanding, that opening synth line, the pianos, guitars, drums... all weaves together into a grand and powerful instrumental, and Chester's incredible vocal delivery just ties it all together. 

The best part of this song is the bridge. It's short, but it's one of the band's greatest moments. Just that massive scream of;

And I know
I may end up failing too
but I know
you were just like me with someone dissapointed in you

;is one of the most striking moments and one of the best pieces of songwriting and emotion I've heard in a song... ever.

It's all just so masterfully put together, I, to this day, admire this song. For being one of the most striking and real displays of angst and musical capabilities I've ever heard, and for being the reason I developed such a true, undying passion for music.

If it wasn't for this song, I wouldn't be nearly the same person I am today. And for that, Linkin Park, from the bottom of my heart, I thank you.

1

I am, to this day, absolutely floored by this song. Most songs tend to not hit me as hard or with repeated listens, but this song is not one of those songs.

Every I hear this song, I am just as if not more blown away by how purely, strikingly beautiful this song is. It is, no doubt, one of the greatest pieces of music I have ever heard.

I highly respect Linkin Park as musicians, and this song is a big reason why.

There is only one word that can properly sum up this song for me:

Masterpiece.

#1. "Krwlng"
from Reanimation

Remember when I said only two Linkin Park songs have made me cry? This is the other one.

This song has brought me to tears through its sheer, utter beauty. It's truly breathtaking.

The way this song progresses, starting off slow and it just builds and builds, every verse and chorus perfectly placed and hits you right in the heart with just the sheer soaring power and beauty of everything... it's almost otherworldly. This song sends chills down my spine and brings tears to my eyes every time I hear it.

Krwlng is unlike any other song I've ever heard. It's a true testament to what the art of music is capable of. It's one of the greatest musical compositions of the 21st century, it's my second favorite song of all time, and it is Linkin Park's magnum opus.



That's my list. Happy Birthday to Hybrid Theory, Happy Linkin Park day to all of you, and I'll see you all next time.

The Top 20 Best Linkin Park Songs ~ Part 1 (20-11)

Ah. It's good to be back.

You know, since I suffered massive burnout and kind of quit the reviewing game altogether for a bit there, and now that I'm fully ready and motivated to jump back into it all, I wanted to return with something big, something a bit special.

Because along with marking my return to music reviewing, today is a special day. A very special day. Today marks the anniversary of a very special album, or at least very important in my eyes. Today is the 15th anniversary of a little album called Hybrid Theory, which marked the beginning of the musical journey of one of the most important bands in my life, Linkin Park.

Linkin Park have been a massive influence on my life. Not only have they been behind some of my favorite songs and albums of all time, period, and consistently impressed me with their incredible genre-bending, songwriting, and musicianship, but they were one of the bands that first ever got me into and made truly love music. If it wasn't for this band, I don't know what the hell I'd be doing or where I'd be right now.

And as we are on the precipice of the band's 15th anniversary, I feel it's time to pay tribute to a band whose music has inspired and shaped me so much by going through their discography and picking out their top 20 absolute best works.

Why top 20? Because they just have so many great songs. Hell, even with 20, I still had to make some really painful cuts.

So what the hell are we waiting for? These are the Top 20 best Linkin Park songs!

20

Let's start this off with a bang, shall we?

#20. "Guilty All The Same" feat. Rakim
from The Hunting Party
Guilty All The Same proved to be one of the greatest highlights from The Hunting Party by simply being one of the group's absolute heaviest songs. The power in this song lies mostly in the instrumentation, Brad Delson and Mike Shinoda's thunderous, crunching guitarwork, Rob Bourdon's fast-paced and glorious drumming, and that minute-long instrumental opening that just provides the perfect buildup to the perfect payoff.

Chester's performance here is commendable. The pure raw, vitriolic anger brought out in both his singing and his singing is impressive, as he provides a perfectly precise and powerful strike on all who have wronged him. It's one of his best performances in the band's history.

That's to say nothing of Rakim's verse. Bringing a hip-hop legend into a guest verse can be tricky, but Rakim's presence makes the song all the better, as his verse is absolute fire. Many had problems with it, but for me, it's one of the best parts of the song. 

Guilty All The Same isn't my favorite track on the Hunting Party, but it sums up everything great about that album and then some. It's Linkin Park at their heaviest, and I fuckin' love it.

19

For a while I was considering putting the two opening tracks on A Thousand Suns on this list, the Requiem and the Radiance, for being incredible pieces of atmosphere that haunt the listener and provide incredible buildup for the album to come. I eventually opted not to, given how they're technically not songs but interludes, but you can guarantee if they did make this list, they would've been damn high up, and hey, even if they didn't make it, we can still go with the next best thing.

#19. "Burning In The Skies"
from A Thousand Suns
Burning In The Skies is the perfect opener to an album like A Thousand Suns. For an album that deals with so many confusing and hurtful emotions, especially given the dark subject matter of nuclear holocaust, Burning In The Skies starts this tale on a note of somberness and regret. It's a very bleak, almost hopeless track, the dreary instrumentation and Chester's pained, imperfect delivery portray the emotion spectacularly. 

It's a more subdued track in the face of the album's overwhelming emotion, one of reflection and loss in the face of great tragedy. It's depressed and bleak and regretful, in all the best of ways.

18

You know, while I love Hybrid Theory, I'll be one of the first to admit that in terms of Linkin Park's albums, it's arguably the one that's aged the worst. I mean, it's still a fantastic record and one that I'll almost always come back to, but when you look at songs like Forgotten or By Myself or especially Crawling, while all good songs, they definitely have that layer of early '00s nü-metal cheese all over them that can make them kind of hard to listen to.

However, Hybrid Theory does have a few standout tracks that still sound great even today, and my favorite song from it is, unfortunately, one of the most overlooked.

#18. "Pushing Me Away"
from Hybrid Theory
Pushing Me Away is a prime example of early Linkin Park's best traits.

The angsty songwriting, Chester's rough delivery, Mike's hip-hop-laden interjections, the turntables and rough guitars... it's all there, and it works spectacularly. Every element of this song flows together perfectly to provide a perfect punch of nü-metal greatness. It doesn't feel overly angsty or heavy, every element of the songwriting and instrumentation just fits so incredibly well, and make Pushing Me Away easily the best-aged track on Hybrid Theory, and in my opinion, the best overall.

Also the live piano version of this song is just... breathtaking.

17

A Thousand Suns is a very dark album, but it ends on one of the most beautifully optimistic and hopeful songs I've ever heard.

Now, The Messenger is not on this list, but it did come damn close. There's a B-side that many LP fans consider to be the "alternate ending" to that album, a much more bleak and hopeless ended to an already very somber album. And as a fan of tragedy in works of fiction, of course that's the one made my list instead.

#17. "Blackbirds"
A Thousand Suns B-Side
Blackbirds is one of Linkin Park's darkest songs. Everything about it, the instrumentation, the vocals, the lyrics, it's all so... post-apocalyptic. It conveys the feeling that everything you've ever known and loved is gone, dead. It's very similar to Burning In The Skies in that sense, but I think Blackbirds works better, because it's even sadder. Where Burning In The Skies was a song about searching for some kind of hope or some answers, Blackbirds is the realization that there is none. 

It's one of the most crushing and depressing concepts out there, everything there has ever been to know and love being destroyed, and there being just about no more to live for. It's a slow burner of a song, but the emotional payoff is absolutely incredible.

16

Reanimation is possibly one of the most underrated albums in existence. I rarely see anyone, even fellow LP diehards ever talk about it, and that's a real damn shame because it is one of their best.
Remember how I said Hybrid Theory hasn't exactly aged spectacularly? Reanimation doesn't sound like it's aged a day. It took everything great about Hybrid Theory and cranked it up to 11, while leaving out some of the album's more... embarrassing moments.

Another great thing about it is, much like A Thousand Suns, it feels less like a simple collection of songs and more like a cohesive, full-length musical experience, each track and interlude flowing into the next superfluously to create one big musical journey. Because of that, it was hard to pick individual songs from that album for this list, but when songs on that album did stand out, they stood out spectacularly.

#16. "My{Dsmbr" 
from Reanimation

My{Dsmbr is a song that is, in every element of its existence, stunning. The piano, the electronics, Chester and guest vocalist Kelly Ali, it's all just so... immaculate. 

That's the best word I can use to describe Reanimation, immaculate. It's all just so seamless, so flawlessly and carefully put together, and My{Dsmbr is the epitome of that. It's one of the most flawless executions of a purely emotion-driven ballad I've ever heard. The sense of isolation, of coldness, of sadness... it's all conveyed through a song that's so minimal yet so all-encompassing at the same time. It's a true masterpiece of a remix, if you haven't heard this song or the amazing album it came with, I implore you to go listen to it right now.

Seriously, go do it. I'll wait.

15

If this list is to be any indication, Linkin Park know how to end a fucking album. It seems that their album closers tend to be the ones that leave the most impact, or are just plain the best, which is good practice seeing how the last song is the one that leaves that last taste in your mouth when you finish listening to an album, and can affect your viewpoint on the product as a whole.

Linkin Park has great album closers down to an art, and you can tell that when the closing track to one of their weaker albums is still one of their best songs.

#15. "Powerless"
from Living Things
If this list is to be any indication, Linkin Park know how to end a fucking album. It seems that their album closers tend to be the ones that leave the most impact, or are just plain the best, which is good practice seeing how the last song is the one that leaves that last taste in your mouth when you finish listening to an album, and can affect your viewpoint on the product as a whole.

Linkin Park has great album closers down to an art, and you can tell that when the closing track to one of their weaker albums is still one of their best songs.

14

Ah, Living Things. 

Living Things is probably the most lukewarm of all of Linkin Park's records. It's not overly spectacular in comparison to many of the band's albums, and while still very, very good, many would say it probably wouldn't line up with some of the band's more prominent works. I'd probably agree, but that doesn't mean Living Things is completely worth overlooking, as there are still plenty of really fantastic songs on there.

And, oh look, here's one of them now!

#14. "Roads Untravelled"
from Living Things
Roads Untravelled is a song that just grabs you. It all just comes together, the brilliant music and vocals and vibe are all this song needs to be absolutely stunning.

Chester and Mike's harmonizing is excellent. These two voices were practically made for each other, as we'll see with more songs on this list.

The instrumentation is great. The mix of the soft electronica, guitar, organ, and minimalist production just come together and make the song absolutely striking.

Above all, it's just a song that gets emotion. It nearly bring me to tears every time. It's of the biggest emotional punches that the band has ever delivered.

13

When Mike said LP were going for their heaviest record yet in The Hunting Party, they meant it. Not only was it the closest to straight-up metal the band has ever gotten (and they fucking pulled it off), the themes of war, death, and pure rage were the most prevalent they've been since A Thousand Suns. This allowed them to do plenty of songs about inner struggle, of course, but that doesn't mean they were afraid to get political. Quite the opposite, in fact.

#13. "Rebellion" feat. Daron Malakian
from The Hunting Party
From a musical standpoint, Rebellion is absolute insanity. System Of A Down's Daron Malakin provides the guitarwork on this track, and believe me, the System influence shows. This is what I was talking about when I said they could do straight-up metal. I haven't commented on this yet, but Mike is an amazing singer, and his performance here is incredible.

But where Rebellion really shines is the lyrics, where the band acknowledges that, yes, in the grand scheme of everything, they are the most fortunate ones, and that there are many out there who actually suffer horribly, which provides a very interesting and potent contrast to Linkin Park's usual bouts of inner turmoil. It's heavily political and provocative, yet at the same time very self-reflective. Rebellion shows Linkin Park's most heavy, politically righteous side, and it is just striking.

12

I love Minutes To Midnight. One of the big reasons why is that it finally allowed Linkin Park to break away from the chains of their stigma as an angsty my-metal band and begin to grow and mature artistically, and it allowed them to do more storytelling and write more emotionally complex and even relatable subject material, something that would show even more in later album. It was a transitional album to be sure, but it's definitely worth a listen, especially with tracks like this.

#12. "Leave Out All The Rest"
from Minutes To Midnight

When I say the band can write very down-to-earth and emotional music, this is exactly what I'm talking about. Leave Out All The Rest shows Chester at his most vulnerable, both in his vocals and his lyrics, contemplating what he's going to remembered for after he dies, if anything. It's a really striking emotional dilemma, one that I know I've been through before, and one that's delivered perfectly. 

The dark, almost haunting tone set by the instrumentation and the aforementioned brilliant vocal work by Chester make the sole absolutely beautiful to listen to as well. It's one of their most beautiful songs to date.

This is an example of LP's songwriting capabilities. It provides a very emotional, very striking dilemma, and it makes you feel that emotion, that drama, that turmoil. It's what the band does best.

11

And now it's time to talk about Meteora.

Meteora is, without a doubt the band's most acclaimed album and one of the most influential and praised rock albums of the 21st Century, and it completely deserves it. 

Meteora is a modern-day masterpiece. One of the album's greatest aspects is just how perfectly it captures pure inner angst and turmoil. A lot of less capable musicians would come off as whiny when they write songs about "their pain", but Linkin Park got it 100% right. They wrote very angry, screaming songs of sadness and angst and confusion, and it was still surprisingly very mature and even relatable. That's what made that album so god damn great.

And one of the greatest examples of this was Easier To Run.

#11. "Easier To Run"
from Meteora
Sometimes it's easier to just run away. Sometimes it just seems like the best option, to just burn all bridges and run away from your problems. You may not be able to escape them, but you just want to.. keep trying, as if it were that easy. If only it were that easy...

Yeah, we're getting into the personal shit now. Just deal with it.

Easier To Run is a song I really relate to. Whenever I'm stressed out or under lots of deadlines or trouble or whatever, I just wish I could drop it all and leave it behind, but it's never that easy, and even though you know you can't escape all the daily bullshit, you just never stop trying because hey, it's better than the alternative.

Linkin Park are at their best when they can get as intensely personal and relatable as this. They're able to convey emotion and relate with and speak to their audience like very few artists can. Easier To Run is a powerful song for me, and it speaks volumes about how hard a piece of music can really hit you personally.

~~~



PART 2 COMING SOON

Sunday, September 27, 2015

CHVRCHES: "Every Open Eye" Album Review


"Pop music is anti-intelligent."
"Pop music takes no talent to make."
"Pop music is the worst genre and has fully killed the art of music."
These are all statements I've heard around the internet in one form or another. Now, I'm not going to say that there doesn't exist an abundance of stupid, obnoxious, or outright offensively horrible pop music, because there certainly does.
However, I'm not one to discredit an entire, massive genre just because of its shortcomings, abundant as they may be. I'm under the belief that any kind of music can be good, and this includes pop. Yes, it's usually very simplistic and mostly electronically-driven, meaning classic rock snobs and "90's kids" scream in horror at the though of it, but that doesn't mean there aren't any pop artists out there making legitimately fantastic stuff, and CHVRCHES is probably the best example out there.

Their 2013 release The Bones Of What You Believe was an excellent blast of synth pop, with Lauren Mayberry's gorgeous vocals and the excellent synth work that made the album feel very atmospheric, is was a perfect display of what the group was capable of.

And here, they've taken what made TBOWYB so good and amplified to eleven. Every Open Eye may be the best pop album that's come out in a long time.

The first and biggest thing of note: this album is beautiful. Like, utterly gorgeous. Not just from a musical standpoint, although the musicality on display is easily one of the best things about the album and we'll get to it, but also just on aesthetic and themes. Look at the album art, the videos they've released for the singles, the songwriting, this shows the band building on the absolutely breathtaking soundscape and pushing it further with some stunning imagery.

The music, of course, matches that beauty brilliantly. The synth work on this album is much cleaner and brighter than on Bones, and it works wonders for this album. The vocal samples, the blurry chip tune sounds, the grand, soaring choruses and drops on tracks like Clearest Blue and Keep You On My Side give the album a heavy atmosphere, one that just bleeds optimism and wonder. It's a pure experience, and Lauren's vocals are just the cherry on the top, her voice just soars all throughout this record.

I think the best example of all of this comes in the lead off single Leave A Trace, possibly the best song on the album. It's one of the slower tracks on the record, but it absolutely works in its favor. It's a bit hard to describe just what a pretty, almost ethereal experience it is listening to this song, but it's possibly one of the best things the band has ever done.

There are, of course, points where the album switches things up. Most notably, the male vocals on the track High Enough To Carry You Over, performed by the band's own Martin Doherty, who holds his own excellently, and the slower, more somber closer Afterglow, which is not one of my favorites on the album, but it closes the record on a nice change of pace.

If you're a fan of music that sets up a great atmosphere, makes you feel good, or just quality music in general, Every Open Eye is an album I cannot recommend enough. Seriously, CHVRCHES have outdone themselves on this one, and it's certainly one of the best releases of this year.

Take my word. It's a good one.

BEST SONGS: Leave A Trace, Clearest Blue, Playing Dead, Make Them Gold, High Enough To Carry You Over

WORST SONGS: Bury It, Empty Threat

Final Score:
9/10

Sunday, September 20, 2015

TesseracT: "Polaris" Album Review


You know, I gotta say, as a fan of progressive metal, 2015 has been one hell of a year.

Seriously, not only have there been some absolutely excellent releases from the likes of Between The Buried And Me, Periphery, Widek, Shattered Skies, Plini, and more, but with upcoming records from Skyharbor, Uneven Structure, Scale The Summit, 2015 has been a prog-head's dream. If this keeps up, I'm kind of afraid my Best Albums of the Year list is gonna consist of almost entirely this genre. I mean, I love me some prog metal and all, but geez, give the other genres and artists some room to breathe, will ya?

And as the proverbial whipped cream on top of the milkshake, we have a new release from Tesseract, one of the leading bands in the scene and one any fan of djent-infused, bass-heavy, atmospheric progressive metal should definitely be familiar with. Especially with their masterful 2013 release Altered State, a must-listen album in my opinion and easily one of the best albums of that year, hell, maybe even of this whole decade.

So when the news came we were getting a new release from these guys, needless to say, I was excited.

I'm happy to say those expectations were met. TesseracT have delivered another masterful work here on Polaris. 

The album begins on a slow, foreboding buildup before exploding into the first track Dystopia, which sets the tone for the record perfectly. The chugging lead guitar and bass work harmonize together beautifully, and Daniel Tomkins' vocals, whispery, reverberating, yet urgent and powerful, show Tesseract's knack for complex, layers, and atmospheric bliss in terms of the technical musical standpoint, and the rest of the album lives up. All the arrangements, progressions, and pure instrumental talent and complexity shown on this record is impressive, as well as being absolute heaven on the ears. When this album slows down, it reaches a state of sounding hypnotic, almost trancelike, as every instrumental flourish, every note is strewn together beautifully. Not a single bit of musical space is wasted, and it forms a beautiful and massive landscape of sound.

Most tracks on this record don't flow into each other like they do on Altered State, as well as lacking the multi-act story structure, yet it still manages to feel as cohesive and large in scope as the band's previous releases.

Every song adds a new flavor to this album's sound and scale. From the soft guitars opening up the track Torniquent, to the heavy, dark tone set in the ethereal opening of Cages, before that soft, gentle guitar leads into the track proper in the most beautiful way possible, this album proves to be one of the band's most diverse releases to date.

Some moments on this album are outright breathtaking, and there is no better example of this than the closing track Seven Names. Seven Names may very well be one of the best songs released this year. It's intense, dark, emotional, and passionate in all the right ways. Tesseract has always been very abstract in their songwriting, but Seven Names feels much more personal and intimate, and the soaring instrumentation and Tompkins' screaming leads to the song feeling epic and grand, almost apocalyptic, and serves as a perfect closer to this album.

All in all, if you're a fan of Tesseract or this kind of music at all, Polaris is a must, another great release from a great band. If you're new to this band, well, I'd probably recommend Altered State above anything (seriously, that album is fucking great, go listen to it now if you haven't), but Polaris is definitely worth your time as well.

BEST SONGS: Seven Names, Torniquent, Cages, Messenger, Survival

WORST SONG: N/A

Final Score:
9/10

Friday, September 11, 2015

Bring Me The Horizon: "That's The Spirit" Album Review


It's time to tackle one of the big ones.

Concept albums can be a difficult tightrope to walk, especially when dealing with heavier and more sensitive material. When done well, they can go down as magnificent pieces of art, really touching or powerful records that can resonate closely with lots of people. But when done wrong, be it through poor execution or complete misunderstanding or even blatant disrespect of the subject, they can turn out pretty damn horrid, even insulting. It's tricky to do a heavy subject well, and it takes either some real balls or a real personal and well-informed understanding of the subject material to try to pull it off.

Case in point? That's The Spirit, the 5th major release by British metal outfit Bring Me The Horizon, an album telling a story of dealing with depression, self-harm, and even suicidal thoughts. Yeah, that's some heavy shit, and this record does not shy away from getting pretty deep into that swirling, dark feeling of hopelessness and hatred.

But before we delve into the psychological insanity and darkness that is this album, let's talk about Bring Me The Horizon for a bit.

A deathore-turned-hard rock outfit from Sheffield, England, and that's gathered up a fair bit of controversy over the years for their drastic shift in style.

From the head-splitting deathcore of Count Your Blessings and Suicide Season to the more light, melodic sound of 2013's Sempiternal, their drastic shift from throat-shattering screaming and gory, messy instrumentation to a more nu-metal and electronic rock influenced radio metal sound, a lot of fans were turned off by the quote-unquote "selling out" the band was doing (and this is just a personal peeve of mine, people, please only use the term "selling out" if you know what it fucking means.).

Where do I stand on it?

Well, I did briefly mention my affinity with this band in my Bullet For My Valentine review, but I'm a huge fan, both of the old and the new. In fact, if I'm gonna be a bit controversial here, I kind of prefer their later stuff. Yeah, the scream-heavy deathcore of Suicide Season and especially the extensively-titled There Is A Hell, Believe Me I've Seen It, There Is A Heaven, Let's Keep It A Secret did certainly have its appeal, it kinda started to get old after a while and the more accessible and melodic sound of Sempiternal was a big breath of fresh air.

And while that sound does mostly carry over from Sempiternal here onto this record, I'd say they improved upon it even more, keeping the eclectic blend of electronica-tinged hard rock and screaming metalcore with a dash of radio-friendliness, but they also vary it up a fair bit here on this album, each track having a different sound than the last, instrumentation that weaves in and out from anthemic screaming and explosive energy to bleak, never-ending sadness back and forth seamlessly, perfectly in tune with the emotional weight of the storytelling, making this a record that truly sounds like a descent into depression just as it tells the story of one.

By adding in touched of violin, piano, and even a harp onto the heavy blast of the metal instrumentation or even over the more somber and dark tracks, this record achieves a massive, almost symphonic sound that makes this descent into darkness feel all the more apocalyptic and hit with all the more potency.

Speaking of which, let's finally dive into the individual tracks on this album, as well as the lyrics and themes and see what makes this descent into hatred and madness so incredible.

Kicking off on the softer track Doomed, the album just begins on that note of hopelessness. The minimalist instrumentation and wispy falsetto of frontman Oliver Sykes set up the atmosphere perfectly, and the songwriting pulls that feeling through perfectly, with lines such as:

You must have made some kind of mistake
I asked for death, but instead, I'm awake

Followed up directly by the chorus, where Sykes just screams:

The sun won't shine here, it never did
And when it rains, it fucking pours
But I think that I like it
And you know that I'm in love with the pain

Implying this sick, twisted fascination and enjoyment the narrator somehow extracts from this hopeless depression adds and extra layer of twisted darkness and insanity to the storytelling, and this is a theme that permeates the entirety of the album, making the story this album tells all the more morbidly fascinating.

Through the following two tracks, the singles Happy Song and Throne, the album continues its theme in trying to find beauty in the sickness, Happy Song being about trying to escape from the depression through music and escapism, and Throne being about rising from the ashes, and for the record both are musically two of my favorites on the album (the bridge to Happy Song is one of my favorite moments in music in 2015 so far, period, and the synth work and massive anthemic chorus of Throne are just downright incredible), before the song True Friends comes in, a song that starts to portray this depression, this sadness and destructiveness as some sort of character that's (metaphorically of course) stabbed the narrator one too many times, but despite the desperate attempt to shake it off, it won't go away. It never goes away.

I wasn't too big on this particular track at first, but hearing it in the context of the record made it make so much more sense and it quickly became one of my favorites, especially being probably the most heavy and metal-centric song on the album.

And from True Friends we go into the track What You Need, a song of the narrator confronting himself on his issues, through a heartbreaking and powerful display of Oli just screaming at himself to stop this, yet deep down, he knows he can't, he just feels he wants it even though he knows he;s killing himself, making this lyrically one of the most potent tracks on the album. This is also true of Avalanche, the point where it finally takes a toll on him and he loses it. It's a very striking track, both in the instrumentation, and in the way the lyrics just perfectly display the narrator's state of hopelessness and sadness.

I never stood a chance.
My heart is frozen over.

And in the track Run, that theme continues, showing him trying to run away, escape this hell he's put himself in before the leadoff single Drown shows him finally breaking down and begging, screaming for help, screaming for an escape, even though he knows he can't get there. That is why, in the context of the album, Drown proves to be one of the most striking tracks on the record.

As a final track, Oh No serves as a perfect closer to this story, a very minimal song showing just how empty and hollow the struggle with his inner demons has left him and, honestly, this bitter, bleak ending serves the perfectly potent finish to this emotional wildride of an album, leaving it on a somber and saddening final note.

In short, That's The Spirit is an instrumentally diverse, lyrically potent masterpiece of musical storytelling and emotional power, detailing a struggle with mental issues and depression, and doing so in a way that lets us see into the mind and life of our protagonist and take that wild descent along with him, whether we want to or not, because it's not like he has a choice either.

The problem with a lot of modern rock albums is they tend to have a section of filler or tracks that just don't stand out, which can really distract from the experience of listening to the full album. That's The Spirit does not have this problem. Every track adds something different and something only improves the record's musicality and storyline while running at the perfect length. It's an album better listened to as a whole.

As a brilliant and emotionally intense concept piece and possibly the best rock album of the year, as well as the band's magnum opus, That's The Spirit is a harrowing listen, attempting to make light of the demons that haunt them but, in the end, shows the pain in its most potent and true form.

Classic Bring Me The Horizon fans may be somewhat disappointed in terms of the lighter sound, but anyone looking for a fascinating and hard-hitting record that diversifies its style and delivers an incredible narrative will not be disappointed. That's The Spirit may very well go down as a modern rock classic.


BEST SONGS: Happy Song, Avalanche, Throne, True Friends, Oh No, What You Need, Drown, Run, Doomed

WORST SONG: N/A

Final Score:
9.5/10